Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Thomas Pakenham
Most of the French armada sent to Bantry By Limped back in January 1797 to their bases in France

ID: 49368

Thomas Pakenham Most of the French armada sent to Bantry By Limped back in January 1797 to their bases in France
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Thomas Pakenham Most of the French armada sent to Bantry By Limped back in January 1797 to their bases in France


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Thomas Pakenham

19 October 1864?C21 August 1915  Related Paintings of Thomas Pakenham :. | Joseph Holt,one of the few Protestants who fought with the rebels in Wicklow | The Irish House fo Commons addressed by Henry Grattan in 1780 during the campaign to force Britain to give Ireland free trade and legislative independ | Thomas Street,Dubli the Scene of Rober Emmet-s execution in 1803 | Lord Edward Fitzgerald | Hunted Down |
Related Artists:
Giacinto Gimignani
Italian Painter , Pistoia, 1611 - Roma, 1681
Bartolomeo Montagna
Orzinuovi ca 1450-Vicenza 1523 .Painter and draughtsman. Montagna is first documented in 1459 in Vicenza as a minor and, still a minor, in 1467. In 1469 he is recorded as a resident of Venice. In 1474 he was living in Vicenza where, in 1476 and 1478, he was commissioned to paint altarpieces (now lost). He has variously been considered a pupil of Andrea Mantegna (Vasari), Giovanni Bellini, Antonello da Messina, Alvise Vivarini, Domenico Morone and Vittore Carpaccio. While none of these artists, except Carpaccio, was irrelevant to Montagna's stylistic formation, scholars agree that Giovanni Bellini was the primary influence on his art. He may have worked in Bellini's shop around 1470. Several of Montagna's paintings of the Virgin and Child in which the influence of Antonello da Messina is especially marked (e.g. two in Belluno, Mus. Civ.; London, N.G., see Davies, no. 802) are likely to be close in date to Antonello's sojourn in Venice (1475-6); they are therefore best considered Montagna's earliest extant works (Gilbert, 1967) rather than as an unexplained parenthesis around 1485 between two Bellinesque phases (Puppi, 1962). These early paintings appear to be followed by others in which the geometrically rounded forms derived from Antonello become more slender and sharper-edged. Their figures are imbued with a deeply felt, individual humanity, sometimes austere and minatory, sometimes tender. Among them are some larger-scale works,
ALBEREGNO Jacobello
Italian painter, Venetian school (died before1397 in Venice)






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